With Bertrand de Billy, Anthony Roth Costanzo, Plácido Domingo, Sonya Yoncheva. On Stage 2017–18. The Metropolitan Opera revived a production by Elijah Moshinsky last seen 12 years ago after a 2001 New York debut. A wealthy youth, betrothed to a duchess, falls in love with a country girl - Luisa Miller. OT: Met Opera 2017/18: Luisa Miller (Verdi) Mit: Sonya Yoncheva, Olesya Petrova, Piotr Beczala, Plácido Domingo, Alexander Vinogradov, Dmitry Belosselskiy Luisa Miller ist die tragische Geschichte zweier Liebender, deren Väter aus Standesdünkel und Egoismus gegen diese Verbindung sind. The girl betrays her lover, so he tricks her … Opera Met Opera: Luisa Miller review. A young woman and her beloved have other marital obligations arranged by their fathers. By Simon Parris on April 4, 2018 • ( 7 Comments) Verdi’s Luisa Miller may be on lower rotation than many of his other works, but the casting of three operatic superstars presents the work in its very best light. With Renata Scotto, Plácido Domingo, Sherrill Milnes, Bonaldo Giaiotti. Luisa Miller ist wirklich eine grosse Inspirationsquelle für die nachfolgenden ... Als Folge seines Debüts als Figaro an der Mailänder Scala 1977 und seines Einspringens als Miller (Luisa Miller) am Royal Opera House Covent Garden 1978 öffneten sich ihm die Tore aller bedeutenden Theater Europas, Nord- und Südamerikas und Japans. Directed by Matthew Diamond. More Opera’s.

To remain incognito he disguises himself. . This opera requires a powerhouse soprano and tenor combination, and that’s exactly what was on display with Sonya Yoncheva in her role debut as Luisa Miller and Piotr Beczala as Rodolfo in an absolutely glorious opening night. Miller – Placido Domingo Miller – Luca Salsi Walter – Alexander Vintogradov Wurm – Dmitry Belosselskiy .

Luisa Miller is an opera in three acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play Kabale und Liebe (Intrigue and Love) by the German dramatist Friedrich von Schiller.. Verdi's initial idea for a new opera – for which he had a contract going back over several years – was rejected by the Teatro San Carlo in Naples. Directed by Kirk Browning.